Most Likely by Sarah Watson

Honestly, I think a lot of us are excited for the day that we finally have a woman president. And in the novel “Most Likely”  written by Sarah Watson, we get a glimpse of what that might look like in the future. The plot follows four friends; Cj, Jordan, Martha, and Ava, one of whom will eventually end up holding office. None of the young women know this at the time the book is set, which is the group’s senior year. As the four struggle to find their identities and futures, we as readers are left to speculate who will end up holding office, until the end of the novel. And let’s just say it’s not who I expected!

All four of the main characters are very relatable, especially for young adults like myself. Watson does a fantastic job of showing different perspectives of the same story, while still tying everything together. Because of the switches in perspective, there is never a lull in the storyline, which ended up being one of my favorite things about the novel. And despite that the plot does get a bit hard to follow at times, it always came back together just at the right moments.

They Went Left by Monica Hesse

They Went Left, by Monica Hesse, tells the heartbreaking story of a Jewish girl named Zofia and her experiences after World War II and the Holocaust. After the Allied liberation, she was sent to a hospital to get better. Trauma and damage racked her brain and caused her memory to be fuzzy and spotty.
But there was one thing she always remembered: Abek. She had to find Abek, her younger brother. A to Z, Abek to Zofia. That’s what they had always said. Zofia set off on her spontaneous journey to find her brother. He was all she had left. When Zofia and her family arrived at Birkenau, Abek and her family went right in the separation line. The rest of her family went left. Hesse
combines the story of broken families and forgotten lives into the tale of Zofia and her brother Abek. This story is so raw but so necessary; it explores the true experiences of the Holocaust and the happenings of the surviors afterward– a part of the story that isn’t heard very often. They Went Left gives real heartbreak and hatred, but it also provides the idea of hope in the darkest times. It explores a different kind of family, and the ability to patch open wounds. They Went Left reveals the mystery of Abek and Zofia, and the new worlds built up after the war and the Nazis destroyed the old one.

We Are Lost and Found by Helene Dunbar

We Are Lost and Found, by Helene Dunbar, explores the dangerous world of being gay in the 1980s, in New York City specifically. Michael, a partially-closeted teenager, lives his life with the same routine: go to school, hang out with his friends James and Becky, go to the club on Friday nights, and
hide the fact that he is gay from his parents so he doesn’t get kicked out of the house like his brother did. He is okay with this repetitive, simple life. But once he finds someone at his favorite club, someone worth giving up his routine for, his outlook changes. He wants more than just school and homophobic parents. He wants to be able to live his life freely without having to worry about the rising AIDS crisis that provides a mystery for everyone, and a blame placed on gay people. Michael is faced with the
menacing decision of staying trapped but safe, or being free and risking it all.
Dunbar writes an incredibly touching story that brings awareness to the struggle of gay people and their discrimination and their constant blame by people looking to make a scapegoat out of them. Michael, and all the other fascinating characters, bring the story of growing up and becoming sexually active in a world bombarded with the AIDS crisis, still new enough for everything about its ways to be a secret except its growing death toll. Michael and the other young people of his time were scared of becoming sick from
any lustful touch, especially one of the same gender. We Are Lost and Found is a beautiful,painful journey of a boy finding himself in a world that is doing everything it can to stop him.

A Treason of Thorns by Laura E. Weymouth

A Treason of Thorns surprised me. I had seen references to it in the past, the premise sounded good, and the cover was pretty— although I am still unsure where the title comes from, but it got my attention, so I suppose it did what it was supposed to. But the point is, it wasn’t high on my TBR. Coming out of a reading slump and bored during quarantine, I picked it up on a whim. I had read the author’s debut novel (The Light Between Worlds), and while I liked it, I wouldn’t have gone out of my way to recommend it to book club, per say. But while The Light Between Worlds was a slow, reflective read, A Treason of Thorns picked up the pace quite nicely. It has a simple but compelling plot, interesting characters and an overarching question about the importance of the roles we choose and the ones that are chosen for us.
A Treason of Thorns is set in what seems to be early post Elizabethan era Britain, although to my remembrance, there were no specified dates. However, in this version of the past, there exists a magical phenomenon known as the Great Houses, magical, sentient estates scattered across the world. In Britain, these houses are bound by magic to the Crown, and their power can only be safely channeled by the caretakers, men and women who live in and love the Great Houses. These caretakers use magical keys in order to use their House’s magic to help the surrounding countryside flourish. This is not a wholly unique premise, but it is unusual enough to still be a novelty, which is an unfortunate rarity in YA fantasy.
Our protagonist and narrator, Violet Sterling (Vi for short), grew up in Burly House, one of the six Great Houses of Britain. Her father, George Sterling, is the caretaker, and is grooming Vi to be his successor. Her mother left when Vi was a child, unable and unwilling to be a part of a family in which Burly House came first, above anything and anyone, and unable to take an unwilling Vi with her. So Vi grows up isolated, with her father often away on caretaker’s business, and her mother starting a second family. Left with Burly House and her father’s ward (and Vi’s best friend), Win, Vi roams the grounds with her house and her playmate, dreaming of the day when she will become caretaker.
But when her father is convicted of treason, and sentenced to house arrest (a cruel punishment that eventually forces the House to kill its caretaker), she loses everything. Her father will not be alive the next time she sees him, Burly House is closed to her until he is dead, and for unknown reasons, her father forced Win to stay behind. Now, seven years later, Vi has been living in the Fens with an old couple who used to work as house and groundskeepers. When she gets the news that her father is dead and Burly has once again opened its gates, Violet makes a deal with the king and races home. But what she finds is nothing like what she remembers. Burly is in pain and disrepair, and Win is distant and in as much of a hurry to leave as she is to return.
This was a fun ride. I probably won’t reread it, but it made for excellent escapism. Weymouth isn’t one for a lot of action, but she is excellent at creating meaningful relationships of various sorts between characters and these relationships and how they are used generate much of the drama and intrigue that keeps you turning pages. All in all, I really enjoyed A Treason of Thorns— it was entertaining and engaging and as I said, it made for great escapism.

Don’t Call the Wolf by Aleksandra Ross

Don’t Call the Wolf, by Aleksandra Ross tells the breathtaking story of Lukasz, a famous Wolf-Lord who kills monsters and dragons for a living, and Ren, the young queen of the forest who’s half-lynx, half-human. Lukasz was once one of ten Wolf-Lords. The brothers were an unstoppable team. But one by one, they all got called back to their home in the Mountains by a familiar tug for the same reason: to kill the Golden Dragon. After Lukasz’s last remaining brother, Franciszek, leaves for the Mountains, he realizes he must kill the dragon to continue his brothers’ legacy and hopefully find Franciszek. He meets Ren in her magnificent fury, and a spark erupts. She tells him that the dragon is destroying her forest and the animals she rules over. The two of them form a promise: she will help him find his brother, and he will slay the dragon. They embark on a long journey filled with colorful characters, littered with monsters, and brimming with magic.
Ross writes this incredibly complex tale with plot twists and dangerous fight scenes jumping off the pages, while devotion and romance fill the chapters. The vocabulary is composed of Polish and European pronunciations and spellings for added character. Don’t Call the Wolf is a perfect story for any classic YA lovers; it’s packed with adventure, magic, imagination, and fantasy, with a smattering of romance.

Atomic Women by Roseanne Montillo

It’s no secret that too often women are not given the credit they deserve. We see it over and over again, in politics, in literature, in business, and especially in math and science. There’s just something about chemical explosions and experimentation, which men like to think women are incapable of participating in. We like to blow things up too! Atomic Women by Roseanne Montillo finally gives these women a voice.

The book follows the timeline of the creation of the nuclear weapon, starting with Marie Curie, and ending with the many influential women involved in Los Alamos. Roseanne tells the story of these women and their lives work, showing candidly the struggle and difficulty they faced during a time when women in science were a rarity. It’s eye opening to see the amount of work these women contributed, without any recognition…until now.

Atomic Women is a book that should be read by all, in order to finally recognize and appreciate the great contributions of these women to science. I recommend for anyone wishing to become more educated about the creation of nuclear weapons, as well as their rightful creators.

This Is My Brain In Love by I.W. Gregorio

This Is My Brain in Love tells the story of a teenage girl, Jocelyn Wu, struggling to keep her family’s Chinese restaurant, A-Plus, afloat. We follow her along in her journey as she struggles with living up to expectations from her father, growing a dying business, having a boyfriend for the first time, and dealing with mental health issues.

At the same time, Will is an African-American teenager who is struggling with anxiety and social interaction. He wants to be a journalist, but when his editor tells him he has to start asking “the hard questions that make sources squirm,” he takes a job as a management intern for one A-Plus restaurant in hopes of getting real-life experience for a story. That is where our stories converge. Jocelyn and Will fall for each other at first sight, but teenage love isn’t as simple as it seems. With an overprotective father, anxiety issues, the stress of running a business, and jealousy, all playing their part, will the two lovebirds be able to survive?

Gregorio does a great job of bringing us into the world that Jocelyn and Will live in. Her descriptions of sizzling oil, fresh steamed rice, and the smell of homemade dumplings really sets the stage for discovering what these people go through day to day to run a Chinese restaurant. Her book is light and entertaining, but she touches on a lot of important subjects such as immigrants in America, mental health issues, and discrimination against different races. This book creates empathy. For as long as you read it you’re put in the shoes of an Asian-American family struggling to save their business, or a boy, growing up different in a society that wants everyone to be the same.

Although I can’t say that This Is My Brain in Love is a book that I’ll find myself reading over and over again, it definitely holds some gems. I recommend for anyone who is interested in a good love story that inspires dedication and perseverance.

Futureface by Alex Wagner

Futureface by Alex Wagner is a biography documenting Wagner’s search to grasp a better understanding of her family history and discover her true identity. Wagner is a mixed-race Burmese Luxembourgish woman, and her journey to find herself takes her across the planet.

After grappling with her racial identity, Wagner sets out on a quest to try and learn more about her ancestors. This mission takes her all over the world. She travels to Burma to learn more about her mother’s side of the family, who fled from the country in the 1960s. She also goes to Europe, to try and dig deeper beneath her father’s seemingly “white bread” history. All the while, trying to find a group that she belongs to and figure out who she truly is.

As a mixed-race American teen, I could relate to a lot of the points and issues Wagner brought up in her book, and I thought the premise was very engaging. I also got to learn more about country’s histories that I didn’t know much about. That said, I found it hard to get excited about this book, which I thought would be right up my alley. Wagner makes a lot of guesses about her ancestors throughout the book, and the explanations of these theories got slightly boring.

I would recommend this book to mixed-race people, as well as those interested in ancestry.

Yes, No, Maybe So by Becky Albertalli and Aisha Saeed

With her bubbly outlook and likeable characters, Becky Albertalli has long been a quintessential voice in YA romcoms. With popular novels like her widely acclaimed Simon vs. the Homosapiens Agenda and its movie adaptation, Love, Simon, she even managed to break out of bookish audiences. But in my humble opinion this new novel is one of her best yet. The glory can’t all go to her, of course— like her previous work, What If It’s Us, she collaborated with a second author: Aisha Saeed (Amal Unbound). In all honesty, What If It’s Us (Adam Silvera and Becky Albertalli), felt somewhat disjointed. Individually, I enjoy Albertalli and Silvera’s work, but their writing styles are so very different from one another that they did not fit well together.
In contrast, Saeed’s writing meshes perfectly with Albertalli’s— lighthearted and sweet while still managing to ground Albertalli. Albertalli writes Jamie, and Saeed writes Maya; childhood friends who fell out of touch years before the start of the book. When their respective mothers sign them up to canvas for a progressive candidate challenging an incumbent, the two teens kindle both a great friendship and a newfound interest in politics. Over the course of the summer the two friends will battle racism and social anxiety as estrangement turns to friendship turns to feelings.
Yes, No, Maybe So is a sweet story (perfect for those slow burners) about friendship and young love that will lift your spirits and serve as a reminder that your voice matters. It is a story of hope and determination that helped get me interested in politics. If you are looking for a shot of fluffy goodness to get you through reality, this is the book for you. I would recommend it primarily to fans of Becky Albertalli and Jenny Han.

The Power by Naomi Alderman

Let me preface this review by saying that this is not a YA book. However, as an older teen, I think that it is a perfect book for someone transitioning out of YA, as I myself am. It must also be said that it has trigger warnings for violence and sexual assault. If these statements do not exclude you from potential readership, please do read this book. The Power by Naomi Alderman is epic, terrifying, unflinchingly honest and utterly brilliant. I am of the firm opinion that it should be read by everyone.
Let’s rewind a little. The premise is simple: one day, girls and young women start exhibiting the strange new ability to generate shocks like electric eels. These girls are able to wake up the same power in older women (there is a scientific explanation for this, so the book falls firmly into sci-fi rather than fantasy). Suddenly, with women holding an inherent biological advantage over men, the balance of power in the world shifts. It starts slow, a woman winning an important election in America, a new branch of religion with the Holy Mother at its center growing in popularity from South Carolina. It spreads and strengthens from there. Revolutions are built off of women banding together to use their newfound power to change the world they live in. But what starts off as a fight for equality, for autonomy, soon tips too far.
The Power follows four point of view characters, Margot, an American politician; Roxy, the illegitimate daughter of a British crime boss; Allie, a foster care kid turned religious leader who hears a voice a la Joan of Arc; and Tunde, an aspiring photojournalist who captures one of the first scrap of footage of the power being used. Together, the four protagonists— I hesitate to call any of them heroes— let the reader follow the slow progression of different parts of society as the world changes. The characters themselves have amazing development— although admittedly not always for the better. While some of the characters develop into what you might call heroes, others continue past that, and change from victims to heroes to oppressors. The hard part is that you care about all of them, even as you are horrified by their actions, and herein lies Alderman’s strength: she writes about humanity. She writes flawed, complicated, scarred characters that you care about because they feel inherently real, even if sometimes you can’t like them as people. But she also understands the relationships between those people, the different dynamics in groups and cultures and as a result, her book feels terrifyingly plausible.
If that wasn’t enough, it is also an excellent novel. The Power is often compared to Margaret Atwood’s The Handmaid’s Tale, but I would argue that Alderman’s book is superior, for the simple reason that it is more easily readable. I personally think that Handmaid’s Tale, while an important book and a fascinating culture study, wasn’t written in a way that people could read it easily, especially those who don’t read very much. The plot was meandering, the main character was complacent, and her understanding of the world was negligible. While I understand while Atwood chose to write it as she did, I was simply not invested in the story other than academically. The Power, however had an engaging plot, captivating characters, and an excellent study of the world we live in today.